Can modern digital and virtual sound technology achieve the ideal of completely immersing the listener in orchestral sound? Richard Wagner pioneered this concept back in 1873 and put it into practice at Bayreuth’s famous Festspielhaus in 1876.
- In terms of sound reproduction, how can auditoriums be designed so that they give a natural, three-dimensional impression?
- What are the differences in psychological correlates when listening to music in stereo, surround sound and 3D audio sound?
- Can an individual experience of immersive sound be predicted by the room’s acoustic parameters?